When viewed off the regular Blu-ray in 8-bit 1080p SDR, the sun is encased here in a series of different colored brown rings as the light fades from its center-obvious and coarse banding artifacts. For those unfamiliar, IFTTT is a freeware-based DIY automation standard that allows control of a wide range of smart home devices (lights, thermostats, outlets, cameras, etc) and lets you program conditional events, such as muting the projector when someone rings your smart doorbell. You can even throw concerts in your home with alternating color projections or turn your movie nights into epic viewings. It’s best for people who want a handful of color options but not so many choices that it gets overwhelming. The best projector out of the models I tested – the one I’ll be recommending to my friends – is the $899 Epson 2150. The image is great: it’s big, it’s bright, and the color reproduction is pretty.

It’s worth noting that theater enthusiasts may not be satisfied with the brightness and picture of the Halo, especially because of somewhat distracting video noise in dark scenes – but for anyone who needs flexibility and wants the best projector that can fit that need, the XGIMI Halo will prove a worthy choice. Plan for the modest expense of a 4K Roku, Amazon, Apple or other streaming media player to plug into one the projector’s HDMI ports, which will work flawlessly and deliver the highest quality video the major services can deliver. Even in its least-bright Detail mode, the Optoma struggled to deliver solid contrast on the brightest scenes shot on the water, but it beautifully rendered many of the indoor cabin scenes punctuated by bright sunlight streaming in, and did a good job delivering detail in a tough underwater shot of a shark cage being lowered into the sea in which the halo of light surrounding the cage is often blown out on other projectors. With the default settings or even when turning down the Contrast (peak white) control, I saw that bright highlights were punched up and might bloom a bit, but this loss of detail was a reasonable price to pay for a brighter 3D image.

HDR Viewing. As mentioned, I calibrated the HDR mode to get close to the industry-standard neutral gray D65 white balance point and made content-specific adjustments to the Contrast, Brightness, Color, Tint, and HDR tone-mapping controls as needed. For any given preset mode, the P1 provides access to the usual basic picture controls (Contrast, Brightness, etc.), but also selections for gamma and color temperature, RGB gain and bias, and a RGBCMY color management system (CMS) for adjusting the hue, saturation, and gain for the primary and secondary color points. I started with the Reference mode, which measured almost perfect out-of-the-box grayscale and color points. Optoma’s is the most sophisticated system I’ve seen, with options to let you pull in up to 32 different points (or much fewer) around the perimeter of the screen to bring the image into alignment, and it even allows for correction of internal points within the image for manual adjustment of up to 81 points total. Behind the grille is a stereo soundbar featuring an approximately 2-inch full range aluminum cone driver and 2.75-inch paper cone woofer for each channel, driven by a total of 40 watts of amplifier power. 2, benefitted greatly from switching on the DynamicBlack feature, which was usually turned off for most of my viewing in favor of using the 100% or 90% fixed Power settings.

Certain mini projectors will be powered via a rechargeable battery, others may need to be plugged in and some may have the ability to utilize both power methods. Big-time travelers, whether for vacation or work, will appreciate the ability to transform any room into an outer space odyssey with just a quick plug-in into a laptop. We don’t know what we love most about the Atmosphere Smart Galaxy Projector from encalife: the exquisite 16.7 million nebula colors to choose from, galaxy lights for room or the ability to be able to control this projector with our voice with Alexa and Google. This B flat’s period was 10 million years. Adjusting the HDR control to its less bright Film or Detail settings restored some detail in the cliffs but still resulted in some blooming; the control just ran out of range for this scene. On yet another scene in Lucy, in a shot of what looks like a lunar eclipse, I was able to see the projector’s 10-bit color processing at work.

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